Chinese Curators Road Trip

Chinese Curators Road Trip Across the Top End

Visiting Chinese curators Lui Lifen, Fan Lin, Hunag Yunhe and Luo Fei

Visiting Chinese curators Lui Lifen, Fan Lin, Hunag Yunhe and Luo Fei

THE PROJECT

For many years, we had been planning to bring a specially selected group of Chinese curators to Australia for a ‘slow’ tour of Aboriginal art centres hosted by local Indigenous artists and communities in the Top End and Kimberley.

A key feature would be the road-trip across-country (from Darwin) bush camps and visits to sacred art and cultural sites hosted by local Indigenous elders.

We aimed to assist our visitors to build a genuine understanding and appreciation of the extraordinary breadth, depth and diversity of Australian Indigenous culture.

We expected to reach a core group of Indigenous artists associated with each of the host Aboriginal Arts organisations and nurture the establishment of person-to-person relationships based on mutual trust & respect.

We intended to support the Chinese curators in developing reciprocal cultural exchange and exhibition proposals, which will see Australian Aboriginal artists participating in ongoing culture exchange programs between Australia and China thereby assisting the development of new export markets for contemporary Aboriginal art in China.

In June 2014 we were delighted to learn that the Australian Embassy in Beijing had prioritized our proposed Chinese Curatorial Road Trip across the Top End for the 2015 / 2016 financial year.

Fortunately all of the proposed participants and host organisations had been engaged in the development of the project over many years and we were able to act very quickly to organize the tour to coincide with the upcoming Darwin Aboriginal Art Fair and Telstra Aboriginal & Torres Strait Islander Art Awards held in August.

PLANNING

We were very fortunate that the project received the full support of the Embassy in Beijing who threw the energy and enthusiasm of their staff behind it.

This coupled with the ‘preparedness’ of the Aboriginal Art Centres and the selected Chinese curators allowed us to swing the project into action at very short notice.

Catherine worked with Hayley May Ward at the Embassy to develop and finalize an itinerary that encompassed our combined objectives.

Together we designed a unique program that enabled our delegates to:

  • Attend an Industry ‘commercial’ event – The Darwin Aboriginal Art Fair
  • Attend an Industry ‘award’ event – Telstra ATSI Awards at MAGNET
  • Meet with Government representatives – MAGNET, DFAT, Arts NT
  • Meet with Industry representatives – Galleries, Darwin Festival, ANKAAA
  • Meet with Aboriginal people from across the Top End of Australia
  • Visit a range of Aboriginal Art Centres – Injaluk, Bjilpin, Mimi, Waringarri
  • Travel trough a diverse range of landscapes, salt water, rock country, desert
  • Have Aboriginal people host / guide our delegates in each unique location
  • Have Aboriginal people explain their own cultural history to our delegates
  • Participate in ‘hands on’ activities which encouraged experiential learning

We were delighted when all of the pieces fell into place the DRAFT Itinerary was fully embraced by our partner ‘Aboriginal Art Centres and other ‘hosts’.

Catherine Croll explaining the stories behind the rock art motifs at Injaluk Art Centre’s new Museum and Interpretive Centre (prior to our tour of the Injaluk Hill art site).

Catherine explains iconography in Indigeous art at Injaluk Art Centre

IMPLEMENTATION

Our delegates arrived as arranged (a little weary from their long flights). And were collected from the airport by the Tour Manager, Catherine Croll

We had managed to secure very comfortable accommodation in Darwin which enabled our delegates to have a quick shower prior to attending the opening of the Telstra Art Awards ‘Salon de Refuse’ and the Telstra Aboriginal & Torres Strait Islander Art Awards on the lawns of the Museum & Gallery of the Northern Territory

Here they meet with Lorenzo Strano (DFAT) before joining Gary Lee (Gary was a participant in our Yiban Yiban tour of Southern China 2014) and Maurice O’Riordan, Director of the Northern Centre for Contemporary Art for dinner at the Ski Club.

Saturday morning started with an early meeting with Marcus Schutenko, Director of the Museum and Gallery of the Northern Territory (MAGNET)

Meeting with the Director of MAGNT (from left Lui Lifen, Fan Lin, Catherine Croll, Luo Fei, Huang Yunhe and Marcus Schutenko)

We then attended openings at The Northern Centre for Contemporary Art, Nomad and Out Back Arts in Parap where the delegates also enjoyed visiting the Markets.

The afternoon was spent at the Darwin Aboriginal Art Fair, visiting our ‘hosts’ stalls and meeting with an extraordinary variety of Aboriginal artists from across the Top End. At each stall Catherine introduced the Aboriginal artists and asked if they would share some stories about their unique cultural heritage with the delegates.

These stories included: Jimmy Wave Hill talking about the ‘walk off’ lead by Vincent Lingiari at Wave Hill Station, for better pay and working conditions in 1966; Stewart Hoosan, from Borroloola in the Gulf country, talking about the centuries old trade which was practiced between the Maccassan and Aboriginal people across the Top End; and Dennis Bundamarra from Kalumburu (WA) talking about Wandjini spirits

The artists also watched a tradition Jumba (Corroboree) performed by the dancers from Waringarri Arts in the East Kimberly and participated in a series of painting workshops conducted by Damien Guyula and other senior men from Bula’Bula (NT)

And so the tour began, every day the delegates met new people, heard new stories, and learnt new things about the extraordinary diversity of Indigenous culture.

Chinese Curators learn about Indigenous Cultural Enterprize from Felicity Wright, Manager Injaluk Arts at the Darwin Aboriginal Art Fair

Chinese Curators learn about Indigenous Cultural Enterprize from Felicity Wright, Manager Injaluk Arts at the Darwin Aboriginal Art Fair

SOME HIGHLIGHTS

Kakadu National Park provided an opportunity for the delegates to really experience the Australian ‘outback’ in a remote bush camp. Here they encountered ‘wild life’ (wallabies, possums, crocodiles, cockatoos, finches) the extraordinary ‘milky way’, the strange shapes and colours of Australian flora, glorious sunsets and a very good overview of our unique history both pre and post settlement.

Injaluk Hill Rock Art Tour allowed the delegates to view ancient paintings ‘in situ’. Traditional owner, Thompson Nganjmirra conducted the tour. He provided an excellent historical perspective for each of the ‘galleries’ describing spirit figures, dreaming stories, Aboriginal customs and lore, Thompson also identified the ‘out stations’ located around this sacred rock and explained the importance of ‘living on country’ in the context of Indigenous peoples strong connection to the land.

Local Ganbalanya man 'Tommy' explaining the rock art at Injaluk Hill to Fan Lin

At Djilpin Arts, Australian actor and musician Tom E Lewis spent the afternoon discussing shared histories between Aboriginal people and the Chinese. With tales of early trade around the coast, mining and prospecting throughout the ‘stone country’, mixed marriages, shared social customs and a genuine affection between the races. Tom was very pleased to meet the Chinese delegates presenting them with gifts from Beswick Community, talking with great enthusiasm about the importance of cultural exchange and inviting our curators to return for the “Walking With Spirits” Festival.

Tom E Lewis meets with Fan Lin, Huang Yunhe, Liu Lifen and Luo Fei to discuss collaborative opportunities for Djilpin Arts, Beswick

Tom E Lewis meets with Fan Lin, Huang Yunhe, Liu Lifen and Luo Fei to discuss collaborative opportunities for Djilpin Arts, Beswick

In Keep River we were honoured to walk with traditional owner Peggy Griffiths and her family through their country. Peggy, her daughters and grand daughters shared stories about ‘Station Life’ well before the town of Kununurra was established. She talked of young girls hiding in billabongs to evade the local police who regularly rounded them up to ‘work’ at the homestead. We walked to her family shelter cave and she explained the rock art and gathered bush tucker for our delegates to eat.

Learning about 'country' with (from right) Peggy Griffiths her grand daughter Kelly, great grandson Ace and Nawoola at Keep River National Park

Learning about ‘country’ with (from right) Peggy Griffiths her grand daughter Kelly, great grandson Ace and Nawoola at Keep River National Park

Waringarri Arts welcomed the delegates to Kununurra with a traditional ‘water blessing’ ceremony and gleeful whoops of ‘Ahhh my China friend, you came!!” Note: Dora, Peggy Griffiths and Agnes Armstrong had all been part of the ‘Our Living Land’ tour to Shanghai hosted at OFOTO Gallery in M50 by the owner, Huang Yunhe

Dora gave an extended tour of the Art Centre and its ‘keeping place’ (museum) giving long explanations for each of the ceremonial objects and images. This was followed by a formal Chinese tea ceremony conducted by Yunhe with fresh baked damper.

Spent the day exploring the art centre with all the staff at Waringarri Arts Kununurra

Spent the day exploring the art centre with all the staff at Waringarri Arts Kununurra

ADDITIONAL ACTIVITIES

In Katherine we spent a full morning touring Nitmuluk (Katherine Gorge) by boat with an Aboriginal guide before visiting Mimi Arts and Godinymayin Cultural Centre

Our long drive from Katherine to Keep River allowed the delegates to experience the distances between remote communities and the dramatic changes in landscape.

While in Kununura the Art Centre Manager Cathy Cummings and trainee manager Nawoola, took us on special tours of the large collaborative artworks commissioned Government buildings including; the local Courthouse and general hospital.

On our last morning together we visited the Chinese owned, Kimberley Agricultural Investment Company for a guided tour of the 30,000h of land they were clearing and ‘laser leveling’ in preparation for farming in Stage 2 of the Ord River Scheme.

Following their return to Darwin our delegates were invited to a special dinner hosted by DFAT representative Lorenzo Strano, with Marcus Shutenko (MAGNET) Andrew Ross (Darwin Festival), Angela Hill (Arts NT) & Hugo Leschen (Dept Arts)

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